Also see: https://africanamericanartq.blogspot.com/2022/04/elizabeth-catlett.html
he Art Institute of Chicago opened Elizabeth Catlett: “A Black Revolutionary Artist and All That It Implies” on view August 30, 2025 through January 4, 2026
Elizabeth Catlett. Alto a la agresión, 1954. Colección Academia de Artes, México. © 2024 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS), NY.
A defining Black woman artist of the twentieth century, Elizabeth Catlett (1915–2012) has not received the mainstream art-world attention afforded many of her peers. The Brooklyn Museum, in partnership with the National Gallery of Art, closes this gap with Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies, an exhibition of over 200 works that gives this revolutionary artist and radical activist her due.
Elizabeth Catlett. Sharecropper, 1952, printed 1970. The Art Institute of Chicago, purchased with funds provided by Mr. and Mrs. Robert S. Hartman. © 2024 Mora-Catlett Family / Licensed by VAGA at Artists Rights Society (ARS), NY.
A deft sculptor and printmaker, devout feminist, and lifelong social justice advocate, Catlett was uniquely committed to both her creative process and political convictions. Growing up during the Great Depression, she witnessed class inequality, racial violence, and U.S. imperialism firsthand, all while pursuing an artistic education grounded in the tenets of modernism. Catlett would protest injustices for nearly a century, via both soaring artworks and on-the-ground activism.
Born in Washington, DC, Catlett settled permanently in Mexico in 1946 and for the rest of her life she worked to amplify the experiences of Black and Mexican women. Inspired by sources ranging from African sculpture to works by Barbara Hepworth and Käthe Kollwitz, Catlett never lost sight of the Black liberation struggle in the United States. Characterized by bold lines and voluptuous forms, her powerful work continues to speak directly to all those united in the fight against poverty, racism, and imperialism.
Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies is organized by Dalila Scruggs, Augusta Savage Curator of African American Art, Smithsonian American Art Museum; Catherine Morris, Sackler Senior Curator, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum; and Mary Lee Corlett, Associate Curator of Modern Prints and Drawings (retired), National Gallery of Art; with Rashieda Witter, Curatorial Assistant, National Gallery of Art, and Carla Forbes, Curatorial Assistant, Elizabeth A. Sackler Center for Feminist Art, Brooklyn Museum. The exhibition is organized by the Brooklyn Museum and the National Gallery of Art, Washington, in collaboration with the Art Institute of Chicago.
No comments:
Post a Comment