On September 25, the Yale University Art Gallery opened to visitors for the first time in nearly seven months with new covid-19 safety measures in place.
“Our world has transformed in ways we never could have imagined since the Gallery closed in March. Now, more than ever, cultural institutions strive to be a place for communities to listen, learn, and grow amid rapidly changing current events,” said Stephanie Wiles, the Henry J. Heinz II Director, Yale University Art Gallery.
Three timely exhibitions have been extended through Sunday, February 28, 2021, including Reckoning with “The Incident”: John Wilson’s Studies for a Lynching Mural.
In 1952, while studying at La Esmeralda, the national school of art in Mexico City, African American artist John Wilson (1922–2015) painted The Incident, a fresco mural of a racial terror lynching at the hands of the Ku Klux Klan. Executed on an exterior wall at street level, the mural was intended to be temporary, but its commanding composition prompted renowned Mexican muralist David Alfaro Siqueiros—who was then the head of Mexico’s department for the protection and restoration of murals—to advocate for its preservation. Though the mural itself is no longer extant, Reckoning with “The Incident”: John Wilson’s Studies for a Lynching Mural brings together nearly all of the known preparatory sketches and painted studies for the fresco, as well as related drawings and prints, from the collections of the Faulconer Gallery, Grinnell College, Iowa, the Clark Atlanta University Art Museum, the Yale University Art Gallery, and select private lenders.
